Andy Davis drifts between painting, performance and moving image. Davis has performed and exhibited both within the US and internationally. Residencies and fellowships include Muong Studio, Hoa Binh, Vietnam; SOMA Summer, Mexico City, Mexico; ENSA + FRAC Bourgogne, Dijon, France; The Wassaic Project, Wassaic, NY; Nakanojo Biennale 2019, Nakanojo, Japan; ACRE Residency, Steuben, WI. In early 2020, he was a visiting artist at the Galveston Artist Residency. Davis lives and works on the Atlantic Coastal Plain in what is currently known as Philadelphia, PA.
My artistic life arises out of a romantic identification with the land and its constituent parts. My work is a means of navigating the middle position of being separate and at the same time entangled in the environment. Painting and pigment-making enact the fantasy of splitting into infinitely fine pieces to disperse throughout air and land. Other works relate to theater, merging the actor with the backdrop to question the boundaries between distinct categories. All involve a range of gestures, private symbols and visual quotations to create sensation and pointed ambiguity. The works aim to counter the acceleration of contemporary life and ecological twilight.
I apply to āWHERE ARE YOU NOW?ā with my ongoing series 'Annunciationsā, produced in my studio near the banks of the Schuylkill River and Wissahickon Creek. These small works on paper are an abstract diary, an intimate archive of emotional and environmental shifts, and a daily practice in the midst of a global pandemic and climate crisis. They are also the testing grounds for my experiments in pigment-making, using both mineral and natural dyestuffs foraged from abundant native species and ochre bands nearby.
Annunciation (Extrasensory), Gouache, Wissahickon ochre, fish glue on paper, 8"x 6", 2020
Annunciations (Life-Knowing), pigment, gum arabic and fish glue on paper, 7" h x 5.5" w, 2020
Annunciations [Installation View], Pigment and animal glues on paper and parchment, dimension variable, 2020
Series of works on paper and animal parchment. Foraged pigments, and colors produced through chemical precipitation exist alongside homemade and commercially produced paints. The works chronicle emotion, sensation and discovery across the year 2020.
Studio view #1, foraged pigments, 2020
Searching for soft rocks in the stream bed. The best way to test the color is to scratch on an adjacent rock.
current workspace image
Prior to 2020, I spent more than one year doing residencies. I was traveling for 1 - 3 month periods throughout 2019 and into 2020. Now Iām working in a room that I share with my partner dedicated to our studio practices (and Zoom).